From the back of the book: “On a spring morning in 1951, eleven-year-old chemist and aspiring detective Flavia de Luce gathers with her family at the railway station, awaiting the return of her long-lost mother, Harriet. Yet upon the train’s arrival in the English village of Bishop’s Lacey, Flavia is approached by a tall stranger who whispers a cryptic message into her ear. Moments later, he is dead, mysteriously pushed under the train by someone in the crowd. Who was this man, what did his words mean, and why were they intended for Flavia? Back home at Buckshaw, the de Luce’s crumbling estate, Flavia puts her sleuthing skills to the test. Following a trail of clues sparked by the discovery of a reel of film stashed away in the attic, she unravels the deepest secrets of the de Luce clan, involving none other than Winston Churchill himself. Surrounded by family, friends, and a famous pathologist from the Home Office—and making spectacular use of Harriet’s beloved Gipsy Moth plane, Blithe Spirit—Flavia will do anything, even take to the skies, to land a killer.”
This Flavia de Luce novel was a bit different from the rest – and it was because of that I found it difficult to get through. The previous three books were fun and exciting – even if it involved solving a murder. But this one, was dark and somber, mostly because it was centered on Harriet coming home. Harriet, who had been missing for ten years, had been found, long-since frozen on a Himalayan mountainside and the sudden realization that her mother was dead forever sent Flavia into an emotional tail spin of epic proportions. Her father, who had always been morose, and her spiteful sisters were also plunged even further into the depths of despair. This isn’t to say the book wasn’t excellent – it was – the subject of Harriet’s death and subsequent burial were unexpected and depressing.
The book did end on a positive note so that was good. The murder was caught and unfortunately killed in their escape (in a particularly spectacular way, only a teensy bit gruesome.) If you have trouble thinking about interacting with corpses, you may want to skip the part where Flavia opens her mother’s coffin and gives Harriet a kiss. At first I was troubled by Flavia’s plan to resurrect her mother from the dead with a chemical injection of thiamine and ATP (adenosine triphosphate), but then I remembered when you’re eleven, you believe anything is possible, and, especially because, “It was a brilliant idea, and because it was scientific, it simply could not fail.”
Rating
Reviewer: Debby